The Road

Remember this?

 

Well, I had to start over and finish it right.  But it was worth it.  It’s a Gentleman ring I dubbed “the Road Agent”  for a client with a custom-shaped gold obsidian stone.  It turned out great and has this amazing subsurface gold highlight when the light hits it.

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This whole thing brings up the point of mastery, which is something I am constantly talking to my artist friends about.  What is it and are we (or is anyone) that thing?  The skullsmithing industry is a small community.  We all pretty much know each other and most of my instagram is occupied by makers that I follow.  Everyone seems to be a true master of the craft.  But the truth is that I know for a fact that we all regularly and frequently screw up multiple aspects of projects.  Problem with social media is that you don’t see that stuff, usually.  And I get it.  You don’t want clients thinking you’re incompetent.

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But the more I think about ‘mastery’ the more the prospect of imperfection comes to light.  Because the more I learn, the LESS CONFIDENT I become in the craft.  I’ll knock out what I think is a series of absolutely awesome pieces and then screw up something as simple as a stone setting or a comfort fit.   Take that along with discussions I’ve had with other artisans that have what I’d call “mastery” and I’d say that mastery and humility come hand in hand.  In other words, if you’re walking around thinking that you’ve GOT THIS then you’re probably a journeyman at best.  If you’re walking around thinking “holy shit there is so much to learn and all of my contemporaries are so inspiring” then you might be approaching legitimate mastery.

I think this is why most artists I know walk around thinking that at some point they’re going to be ‘found out’ and everyone’s going to realize they don’t know they’re shit and it’s all going to come crashing down.  What’s actually happening is that they’re reaching that peak.  Mastery.  And to call it a ‘peak’ is actually yet another fuck up of mine because I don’t think “mastery” is a place.  I think it’s a path.

So, I’ll leave you with a custom skull ring (full jaw) I finished for a client a few weeks ago that might be one of the finest sculpts I’ve ever made.  Path to mastery, right?

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…and then…..

I completely screwed up a wax for a totally similar piece that I should have been able to do perfectly.  This is for a client who is getting multiple pieces from me.

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Luckily, I’ve been able to send him finished pieces while we begin remaking this one.  In the meantime, yeah, whooops.

So yes, I’m a master skullsmith.  Yes, I screw up all the time.  Yes, I will end up putting a perfect piece in your hands at the end of it.   Here’s to all the other skullsmiths out there and the next time your silver throws too cold and totally destroys your wax tree, remember that we’re all in the same boat.  I’ll leave you with this shot of a skull I put together in Zbrush.  I’ll be casting this soon to begin working on a new Deaths Head line that will be uber-realistic skulls set in slightly smaller rings:

Jade: Not just an amazing David Caruso movie.

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What, you haven’t seen Jade?   Spoiler alert: it sucks.

Let’s talk about another type of jade.   I just finished a beautiful custom gemstone ring for a client who had me special order a badass piece of creamy jadeite and pair it with my solid sterling silver Torque bracelet for a “Full Right Hand Special, something I used to do for clients who wanted a ring and bracelet pairing.   This particular client already has one of my Kingman turquoise Leonids rings, which has a different style altogether.   We’d identified a really beautiful stone – a big gob of jade shipped right over to the shop to have a ring built around it.

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And build it we did.  I like the way the round cabochon sort of echoes the round forms of the torque.  Repeating shape patterns is an important thing when you’re figuring out a ‘configuration’ (For lack of a better word) to wear.  Jewelry addicts will know what I mean.

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This pair is one of my favorites because it really just walks that line between something you can wear into a board room and something you’d see a rock star wearing as he’s being pushed into a squad car after burning down a hotel.

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You can see the sub-surface scattering of light in the jade (and unfortunately a little extra polishing compound that I stupidly forgot to buff away before snapping my photos.  Smart.

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I wear a jade gemstone very much in the same color family.  That super lime green stuff is just not my thing.  I like it pale and mostly opaque or otherwise that forrest green nephrite stuff like I tend to set in the eyes of my old King Skull.

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Either way, you have to be careful when working with jade because so much of the material out there is not actually REAL jade.  It’s glass, dyed quartz, or even plastic.   I’m a fanatic about getting the real stuff (as many of you know who’ve followed my jade and amber exploits in Hong Kong and elsewhere.)

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Speaking of King Skulls, the new King Skull is nearly finished.  With the help of my man David and his mold-making crew, I’ve finished waxes for my first 10 pre-orders and they’ve come out beautiful.   Like the previous model, all of the details are hand carved on each template so no two rings will be alike.  For me, it’s the perfect jawless skull ring.  I’ll always love the original, but I’m retiring her from the line to make it extra special for those clients who own one.  All of my work is limited run and they all have an expiration date on them.  So let’s say goodbye to the old King and welcome to the new.

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I’m about a week or so away from finishing the silvers on the first batch.   This piece isn’t available in the shop yet, but I’ll be making a big announcement once I’m ready to actually release her, so stay tuned.

Gentlemen and the Leonids

It’s so great to finally see the Gentleman in all of its glory.

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I wanted to make a city ring.  Something you could wear on a pinky or ring finger in the board room that JUST walked that line between safe and dangerous.  (Isn’t that what a pinky ring is all about?)  Of course, they’re really big enough to go on ANY finger.

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I’m working my way through the first order of 5 right now and they’re just about ready to go online.  Once I get a few more variations done, I’ll ask my web wizard to throw them up for sale.  I have all kinds of stones for these.

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The ring is well-balanced and solid, not hollow backed.

And yes, it still features a small pair of skulls for those who want to look.   I have so many projects that I’m behind on but this thing just HAD to finally see the light of day.  It’s been a long time in the making.

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Also, check out the Leonids with the red stone.  Client-provided that and it looks great.   I wish I had a better shot of it.  Oh well.

Gentlemen, start your engines.

Remember when I announced development of a new Gemstone ring.  (check it out HERE if you haven’t read it yet.)

Well, folks, the Gentleman ring is finally ready for pre-order.  It took a lot of time to get her ready but here she is, complete with a massive 30mm x 22mm oval gemstone.

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The goal was to make a REAL gemstone ring for clients who want a good, custom made, solid backed, hi-quality piece.  As usual, I set out to make this ring after discovering that there were very few quality gemstone rings for men or women who want a significant stone in a substantial ring.

Which gemstones are available?

  • Black Onyx
  • Tiger’s Eye
  • Black Lace Agate
  • Aventurine
  • Rose Quartz
  • Red Carnelian
  • Mother of Pearl
  • Malachite
  • Blue Lapis
  • Dark Green Jade (for an extra $20)

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How much does it weigh? I have no idea.  I’ll get that figured out by the time in lands on the website for general sale.  Right now, i’m taking 5 preorders.  That’s right, 5 preorders based on my digital renderings here.  This beauty is going to retail for $475 when she’s done and the first five will run at $425 each for sterling silver.  I don’t have a price for gold yet, but if you’re interested, just shoot me a message at customs@mtmaloney.com